One can detect a definite influence from the priest poet, Father Feeney, in the rhyme and rhythm of the philosopher poet, Dr. Maluf. The former, however, has that Irish flair for painting with words; the latter that Semitic gift for impressing with similitudes. Brother Francis Maluf wrote these fifty-nine poems for leisure. Those of us who know him would have a hard time imagining him sweating for too long over a verse. When he was deeply moved, whether it be by a devotional grace, by wonder at something beautiful to behold, by a gospel story or character, or even by astonishment over some mystery of iniquity, his contemplative heart would seek a means of expression. These poems are the expression of Brother Francis’ contemplative heart.

The words, spoken or written, of a soul that genuinely loves God have a tone to them which always rings true. Couple this truth with literary genius, deep spiritual discernment and childlike simplicity and you are close to describing Father Leonard Feeney, the author of Fish on Friday. These fourteen Catholic essays, Father Feeney’s youthful best, mirror a heart that is as light and humorous as it is religiously profound. Loreto Publications is delighted and proud to put this American Catholic classic back in print. Too many generations have been deprived of Father Feeney’s winsome literary sagacity when his poems and essays were mysteriously removed from Catholic schools on account of his heroic defense of a defined doctrine of the faith. No one can possibly read "Fish on Friday," The Queen of Hearts," "Charlie Maloney," or any of the other eleven essays in this book without frequent bursts of wholesome laughter and (be forewarned) without a welling of those kind of tears that expand the soul. After reading this book one will clearly see that our Lord and 0ur Lady were preparing this priest and theologian all along with superabundant graces to become what he became — one of the greatest apostles of the twentieth century. In the February 17, 1994 issue of Catholic New York, John Cardinal O’ Connor began "An Informal Pastoral on Lent" with this paragraph:

"Long before he ran into a bit of trouble, from which it was obvious that he would recover, given his whimsical sense of humor, Fr. Leonard Feeney, S.J., wrote some of the most delightful things ever published in our land. Fish on Friday was one of the best. It first appeared 60 years ago, and never a Lent goes by without my renewing my friendship with it . . ."

The Gauntlet, subtitled "A Challenge to the Myth of Progress," includes selections from Old Worlds for New (1917), Post-Industrialism (1922), Towards a Christian Sociology (1923), and Means and Ends (1932). This first-ever anthology of Penty’s works presents a compelling vision both of what’s wrong with the world and of what kind of socio-economic order would help to make it right. The writings in this volume provide a sampling of Penty’s thorough and persuasive critique of the myths that dominate modern economic and social thought. They also outline his intellectual and practical program for the restoration of such essentials in economic life as the dignity of labor, justice in pricing, equity in property distribution, quality in craftsmanship, preservation of rural culture, and, above all, the recognition of spiritual Truth as the foundation of all real economic order

IHS Press is pleased to present an Introduction to this anthology by Dr. Peter Chojnowski.

Dr. Chojnowski has degrees in Political Science and Philosophy from Christendom College, and a Masters degree and Doctorate in Philosophy from Fordham University. He specializes in the philosophy of St. Thomas and Catholic Social Thought. He currently teaches at Immaculate Conception Academy in Post Falls, Idaho, where he lives with his wife and five children.

So, you do not like poetry. Too many flowers and angels and stars and clouds. And too many adjectives ending in “Y”. Besides, the better the poem the less you can understand it, right? You are an ordinary Joe who prefers more solid food for his mind and you do not really care if the words rhyme anyway. Well, Joe, lighten up! Let your mind get a taste of Father Feeney’s verse. Your whole family will enjoy the new turf. It will warm the heart. In fact, everyone of Father’s poems comes with that guarantee.

Chesterton's visit to Ireland in early 1918 resulted in this unique, readable, and thought-provoking book on Ireland and the Irish situation of the early 20th-century from one of England's greatest essayists. In Irish Impressions, familiar Chestertonian themes — distribution of property, industrialism, the Faith and Christian society — are discussed in the context of Ireland's struggle for national and cultural independence from the Britain of the early 1900s. Not mincing words, Chesterton points out both the strengths and weakness of the English and Irish positions during that crucial period, always with wit and wisdom — and an appreciation of religious, cultural, and economic essentials, which is characteristic of Chesterton's work. Originally published: London, 1919.

IHS Press is extremely pleased to be able to offer with this newly edited, extensively footnoted edition, a new Preface by Dr. Dermot Quinn.

Dr. Quinn is an Associate Professor of History at Seton Hall University, and an intimate friend and colleague of Fr. Ian Boyd of Seton Hall's Chesterton Institute. Quinn received his doctorate from Oxford University, is author of Patronage and Piety: The Politics of English Roman Catholicis, 1850 — 1900 (Stanford University Press, 1993), and is a frequent contributor to The Chesterton Review.

If ever there was a teacher assigned to this world, yet whose every word bespoke of the next, and the way to the eternal happiness thereof, it was the author of these thirty-two talks. Some are formal, some informal, none were edited by the speaker. Most were given about fifty years ago and recorded shorthand by Sister Marion Joseph, MICM (†2004). These talks are priceless and, until now, never read by anyone. Vintage Father Feeney. As you read each lecture, story, or anecdote, you will feel like you are actually in the audience, being carried away; every thought, every story, either tearing away at your heartstrings or filling your mind with a holy wisdom that you never would have imagined could be yours. Daniel Lord, S.J. wrote: "Father Feeney talks as well as he writes. Almost . . . better . . . I felt I was listening to one of the country's really great lecturers — humor and freshness, brilliant turns of phrase whipping about real observation and original thought."

In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work?

He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how he was both a genius for all time and utterly a creature of his own era: a writer who was supported by dissident Catholic aristocrats, who agonized about the fate of England's spiritual and political life and who used the stage to attack and expose a regime which he believed had seized illegal control of the country he loved.

Shakespeare's plays offer an acute insight into the politics and personalities of his era. And Clare Asquith's decoding of them offers answers to several mysteries surrounding Shakespeare's own life, including most notably why he stopped writing while still at the height of his powers. An utterly compelling combination of literary detection and political revelation, Shadowplay is the definitive expose of how Shakespeare lived through and understood the agonies of his time, and what he had to say about them.

Clare Asquith has lectured on Shakespeare in England and Canada. Her article on The Phoenix and the Turtle was published in 2001 by the Times Literary Supplement, and her essay on Love's Labour's Lost appeared this year in Shakespeare and the Culture of Christianity in Early Modern England. She lives in London.

Survival Till Seventeen was written by Leonard Feeney in the heyday of his literary career. Later boycotted and banned, this classic is now back on the bookshelves, and deservedly so. The introduction by S.M. Clare capsulizes what happened to the pries after he entered the Jesuit order at the age of seventeen.